Festival Trio
Thursday May 23, 2024 at 7 pm
Kitchener-Waterloo Chamber Music Society

Keffer Memorial Chapel
in Martin Luther University College
(near Albert St & Bricker Ave in Waterloo)
Tickets are only $35 adult or $10 student, available at the door or ONLINE.
Friday May 24, 2024 at 7:30 pm
Guelph Youth Music Centre Recital Hall
75 Cardigan Street, Guelph, ON
SOLD OUT (a few unreserved extra seats available; contact Ken)
Sunday May 26 at 3 pm

Grace United Church
140 Bruce St South, Thornbury (Blue Mountain), ON


Sadie Fields violin
Paul Pulford cello
Ken Gee piano
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Beethoven Piano Trio No. 1 in E flat major, Op. 1 No. 1
Charlotte Bray That Crazed Smile (for piano trio, 2014)
Schubert Trio no. 1 in B flat major, op. 99
Cellist Paul Pulford (New Brunswick) returns to the Festival Trio with violinist Sadie Fields (Brussels, Belgium) and director/pianist/friend Ken Gee for the Guelph Musicfest season opener. Paul, Sadie and Ken are the founding members of the trio, and look forward to their annual reunion!

The program pairs two of the greatest trios ever written—the invigorating Beethoven Trio no. 1 in E-flat and the sublime Schubert Trio no. 1 in B flat, paired with a mesmerizing and magical trio by British composer Charlotte Bray.
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Charlotte Bray is one of the most esteemed and in-demand composers of her generation. Exhibiting uninhibited ambition and desire to communicate, her music is exhilarating, inherently vivid, and richly expressive with lyrical intensity. Championed by the BBC Symphony Orchestra, BBC Scottish Symphony Orchestra, Royal Opera House Covent Garden, Aurora Orchestra, London Sinfonietta, and Birmingham Contemporary Music Group, her music has been performed at festivals in Aldeburgh, Cheltenham, Tanglewood, Aix-en-Provence and Verbier and with renowned conductors including Marin Alsop, Sir Mark Elder, Sakari Oramo, Oliver Knussen, Jessica Cottis, Daniel Harding, Duncan Ward, and Karina Canellakis.

Recent premieres of solo and chamber works include Ungrievable Lives for string quartet (2021/22), performed by the Castalian Quartet at the Elbphilharmonie, Wigmore Hall, Konzerthaus Wien, Kuhmo Chamber Music Festival, and Santa Fe Chamber Music Festival. The piece was inspired by a new installation by artist Caroline Burraway, comprising 13 children’s dresses handmade from discarded refugee lifejackets. Also, The Earth Cried Out to the Sky (2022), performed by mezzo-soprano Christina Daletska and pianist Steffen Schleiermacher at Kissinger Sommer Music Festival, and From the Innermost Places (2022), a piece for cellist Anssi Karttunen which was performed at Aldeburgh Festival as part of a concert series celebrating Oliver Knussen. Crossing Faultlines, a song cycle commissioned by soprano Samantha Crawford and pianist Lana Bode, which sets specially commissioned text by Nicki Jackowska about women’s experiences in the workplace, was premiered at the Oxford Lieder Festival 2021. A recent orchestral world premiere featured Forsaken (2022), performed by Philharmonisches Orchester Hagen and conducted by Joseph Trafton at Stadthalle Hagen in Germany. The work focussed on one of Bray’s central concerns in her work: the human influence on nature. Landmark (2022), for orchestral winds, percussion, and basses, was commissioned and premiered by the Dresdner Sinfoniker and conducted by Jonathan Stockhammer. Other orchestral highlights include the premiere of The Flight of Bitter Water (2022) which was broadcast on Ö1, conducted by Marin Alsop and performed by Radio-Symphonieorchester Wien and Where Icebergs Dance Away (2021), an orchestral miniature commissioned by WDR Sinfonieorchester (Cristian Măcelaru) and also performed at the BBC Proms by the BBC Symphony Orchestra conducted by Sakari Oramo. The second performance of Bray’s triple concerto Germinate was performed by Ensemble 1010 under Catherine Larsen-Maguire (2023). Her cello concerto Falling in the Fire, commissioned by the BBC Proms 2016, was premiered by Guy Johnston and the BBC Symphony Orchestra under Sakari Oramo.

Further commissions include A Lost Place for string trio, commissioned by Spannungen Festival, where Bray is composer in residence (2023), and a new orchestral work for the Deutsche Symphonie-Orchester Berlin (2024). L’Orchestre de Chambre de Genève named Bray as composer-in-residence 2023-2026 and will perform several of her works over the 3 years. She also looks forward to visiting Kuhmo International Chamber Music Festival as composer-in-residence, where 6 of her works will be performed (2023).

In 2019, Bray was awarded an Ivor Novello Award for Invisible Cities. Winner of the Lili Boulanger Prize (2014), Critics’ Circle Award for Exceptional Young Talent (2014), Royal Philharmonic Society Composition Prize (2010), At the Speed of Stillness featured in the ISCM World Music Days Festival 2017 in Vancouver. Bray was selected as a MacDowell Norton Stevens Fellow (2015-16) and interviewed as part of BBC Radio 3’s Composers’ Room series 2015. She is an Honorary Member of Birmingham Conservatoire, named as their Alumni of the Year 2014 (Excellence in Sport or the Arts), and also listed in The Evening Standard’s Most Influential Londoners (2011). Composer-in-Residence with Birmingham Contemporary Music Group/Sound and Music (2009/10), Oxford Lieder Festival (2011) and Hatfield House Chamber Music Festival (2015), her residencies include MacDowell (2013, 2015), Liguria Study Centre Bogliasco (2013), and Aldeburgh Music (2010, 2015).

Portrait discs of Bray’s music have been recorded on RTF Classical (2018) and NMC Records (2014). Her work also features on several discs including Tecchlers Cello by Guy Johnston (Kings College Cambridge 2017), Oberon Celebrates Shakespeare by the Oberon Trio (Avi-music and SWR 2016) and Upheld by Stillness by the choral ensemble Ora (Harmonia Mundi, released February 2016).

Originally from High Wycombe, Bray (b.1982) graduated from Birmingham Conservatoire with First Class Honours, having studied composition with Joe Cutler, and then completed a Masters in Composition with Distinction from the Royal College of Music in London studying with Mark-Anthony Turnage. She went on to participate in the Britten-Pears Contemporary Composition Course with Oliver Knussen, Colin Matthews and Magnus Lindberg and studied at Tanglewood Music Centre with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read-Thomas. Her music is published by Birdsong. She lives in Berlin.

Guelph Musicfest 2024 is grateful for the continuing generous support of an
Anonymous Donor
as well as the contributions of many individual supporters

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